Luckily Premiere is almost entirely a non-destructive application! We have dropped 120fps footage into a 24fps timeline and it looked amazing. Once again, no harm in dropping a 120fps into a 24fps timeline and seeing if it works for you. If your HFR is is smaller.like 60fps, it will be smoother. The higher the HFR, the more problems can happen. Whenever frames are dropped, it can be choppy. So, if you set your camera to shoot 24fps and then you change the variable frame rate setting to 180fps-the final clip will be 24fps and the slow motion will be "baked in". For example, if you shoot with the Panasonic GH5/GH5s, you can shoot up to 180fps-however, the camera will internally process the HFR and the resulting file will be whatever the final frame rate settings are. There are some tricks you can play with to smooth playback or control your footage pull-down within After Effects for Premiere if your footage isn't playing back smoothly.ĮXTRA NOTES: The process above does not work if your camera PRE-PROCESSES the HFR. ![]() This will "throw out" the extra frames to accommodate the timelines frame rate. If you want your clips to play at 24fps with no slow motion, just throw your HFR clips into a 24fps timeline. Note: HFR clips modified this way will make your clips longer. Now you can edit your clips in a 24fps sequence and your clips will be in slow-mo. This will give you true slow motion at 24fps.
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